Currently working on new material. I’m finally getting out of a dry spell that’s lasted almost two years. Updates will follow.
music production
Precognitive Phenomena
Mass was quite elegant today, and during the celebration of the sacrament of the Eucharist, I was invited back to editing music. It’s a long story, yet I was called by name.
Music production has been welling up inside me for sometime, and last night I became reacquainted with a project that started back in late 2022 to late 2023, and somewhat dreamed about it. Call it higher consciousness, precognitive phenomena, the Holy Spirit, or subtle intrinsic reprogramming, all I got to say is, this pressure inside of me needs release and my mind needs relaxation, for playing with different frequencies is akin to being reborn, over and over again.
The project name is “Sanctus”, see what I’m saying?!
Slow and relenting existential bliss
Slow and relenting existential bliss
•••
preliminary extension and sketches/double process/reversed [091121/101621]
SF 3.0
TR .75
Beep, beep, beep
‘Umami Land’ album review
Dystopian electronic project Detraction has a new album out. This one fascinatingly introduces pop sensibilities through trip hop beats that weave in and out of the experimental, dense soundscapes. As a concept the whole thing feels like one is retrieving fond moments out of distorted dreams. The final track drones on as if the dreams are becoming more vivid until ultimately they wither away. Detraction juxtaposes joy and dysphoria in a poignant way.
via/Breaking And Entering https://breakingandentering.net/2021/09/02/audio-detraction-umami-land/
Back Catalogue
Working on a back catalogue collection (2005-2007). The archive will showcase techniques in absurdity, and editing prowess over the years.
75 points
75 points of volume reference. This is considered a simple edit by all terms, for balance differentials and other effects are not yet assigned.
Wabi-sabi🤘
侘寂
“In traditional Japanese aesthetics, wabi-sabi (侘寂) is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is “imperfect, impermanent, and incomplete” in nature. It is a concept derived from the Buddhist teaching of the three marks of existence (三法印, sanbōin), specifically impermanence (無常, mujō), suffering (苦, ku) and emptiness or absence of self-nature (空, kū).”
Dubecian 