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I’ve been really busy since late August. Still trying to finish a music video, working on a new album, two retrospectives and collaborating with a like-minded musician. I’m pretty excited, but must remain devoted to my many “lists” and stay on target. Nonetheless, I’m not going to be board for a very long time.

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I’m a day late in posting this, but ‘as above/so below’ done!!
This is the most beautiful, and coherent compilation I’ve ever produced.
Heavily atmospheric and borderline spiritual, this material is a 12 month process of congruent experiments. ‘as above/so below’ is a study of signal delay/decay and longevity within time and signature.
To my confidantes:
Matt Dardis
Mary Dally-Muenzmaier
Kevin Dally-Muenzmaier
Kylen Olsen Pardo
Alex Bischmann
and many others:
Thank you for proof-hearing and giving feedback in times of need 🔥🙏❤️
The album is on sale now on Bandcamp for $10 (or more).
Thanks again for all your support.

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[notes/text]

•••

Musique concrète
Sound collage
Electro-industrial
Spacemusic
Drone

Electronic dream-state projection and synthetic ambience.

[sometimes Heavy Disco]

reassembled data

Editing

Prototype

Coffee persuasion
Editing
Dubecian

“When you sit back and realize what year it really is,
and how many birthdays you’ve had,
and the Earth is just a rock in delicate balance,
within the void of outer-space.
You might just become aware that Life is an exercise
in knowing, loving and dishing-out compassion
to all fellow Earthlings, and those not of this Earth.
Then Life becomes a journey to absolute Warmth and Giving.”

Rules:
What is seen here does not exist.
Files served here will not be downloaded or shared in anyway.
Feedback will be relayed via supplied email source given here [see below].

[detracted]

If you look into the abyss, and it looks back at you, you must realize, it’s

If the Abyss ever looks back at you, please realize.

My emotions now seem to flow asymmetric opposed to congruent.
It’s like I’m constantly editing live music on the fly, yet the notes are thoughts and feelings.
I’d give anything to record it, and play it back sometime.

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Perfecting a new formulaic process that’s been in the works for years.
It starts with a hypothetical “5 track song”, in which all five tracks are exported in their original state. Each track is then slowed down at the same rate, then reintroduced back into the DAW, re-tracked with added equalization, balance, effects, etc. The resulting “5 track compilation” tends to sound and act better than simply slowing down the “5 track original” in its entirety.

There has been many experiments in doing this process twice upon itself. Preliminary arguments and discussion point at this Double Process as being very difficult to control and edit. This challenge pursues more agile editing and some sort of precognition in track formation.

More preliminary experiments done denote a Triple Process, in which the above exercise has gone two more steps in slowing down, re-tracking, added equalization, balance, effects, etc. This results in a more smoothly stretched-out composition that retains is original attributes and adds other flavor, yet is very difficult to control.

[Production Notes/Wednesday, October 30, 2019]

[software and technique are classified]